2013년 12월 2일 월요일

오전 8:43

By Gil Jesus

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About 'free debt collection software'|Great News fro The LinkedIn Credit and Collections Group







About 'free debt collection software'|Great News fro The LinkedIn Credit and Collections Group








Ｋｅｅｎｅ               Ｓｔａｔｅ               Ｃｏｌｌｅｇｅ               ｗａｓ               ｔｈｅ               ｓｉｔｅ               ｏｆ               ｔｈｅ               ｗｏｒｌｄ               ｐｒｅｍｉｅｒｅ               ｏｆ               ｔｈｅ               ｒｅｓｔｏｒｅｄ               Ｗｈｅｎ               Ｌｉｎｃｏｌｎ               Ｐａｉｄ,               ｄｉｒｅｃｔｏｒ               Ｆｒａｎｃｉｓ               Ｆｏｒｄ'ｓ               1913               Ｃｉｖｉｌ               Ｗａｒ               ｄｒａｍａ.

Ｔｈｅ               ｓｉｌｅｎｔ               ｆｉｌｍ,               ａ               "ｔｗｏ-ｒｅｅｌｅｒ,"               ｗａｓ               ｏｎｅ               ａｔ               ｌｅａｓｔ               175               ｍｏｖｉｅｓ               ｔｈａｔ               Ｆｏｒｄ,               ｔｈｅ               ｏｌｄｅｒ               ｂｒｏｔｈｅｒ               ｏｆ               Ｊｏｈｎ               Ｆｏｒｄ,               Ｈｏｌｌｙｗｏｏｄ'ｓ               ｍｏｓｔ               ｈｏｎｏｒｅｄ               ｄｉｒｅｃｔｏｒ,               ｈｅｌｍｅｄ               ｂｅｔｗｅｅｎ               1910               ａｎｄ               1928.

Ｆｒａｎｃｉｓ               Ｆｏｒｄ               ｈｉｍｓｅｌｆ               ａｐｐｅａｒｅｄ               ｉｎ               ｔｈｅ               ｐｉｃｔｕｒｅ,               ｐｌａｙｉｎｇ               Ａｂｒａｈａｍ               Ｌｉｎｃｏｌｎ,               ａ               ｒｏｌｅ               ｔｈａｔ               ｗａｓ               ａ               ｆａｖｏｒｉｔｅ               ｏｆ               ｈｉｓ               ａｎｄ               ｏｎｅ               ｈｅ               ａｓｓａｙｅｄ               ｉｎ               ｓｅｖｅｎ               ｏｔｈｅｒ               ｍｏｖｉｅｓ.

Ｆｒａｎｃｉｓ               Ｆｏｒｄ'ｓ               ｃａｒｅｅｒ               ｓｐａｎｎｅｄ               ｓｉｘ               ｄｅｃａｄｅｓ               ａｓ               ａｃｔｏｒ,               ｄｉｒｅｃｔｏｒ,               ｐｒｏｄｕｃｅｒ,               ａｎｄ               ｗｒｉｔｅｒ.

Ｈｅ               ｔｏｏｋ               ｐａｒｔ               ｉｎ               ｔｈｅ               ｐｒｏｄｕｃｔｉｏｎ               ｏｆ               ｎｅａｒｌｙ               500               ｆｉｌｍｓ,               ｐｕｔｔｉｎｇ               ｈｉｍ               ｉｎ               ａ               ｃｌａｓｓ               ｗｉｔｈ               ｓｕｃｈ               ｌｅｇｅｎｄｓ               ａｓ               Ｄｏｎａｌｄ               Ｃｒｉｓｐ,               ｗｈｏ               ａｓ               ａｎ               ａｃｔｏｒ,               ｗｏｎ               ａｎ               Ｏｓｃａｒ               ｕｎｄｅｒ               Ｊｏｈｎ               Ｆｏｒｄ'ｓ               ｄｉｒｅｃｔｉｏｎ               ｉｎ               Ｈｏｗ               Ｇｒｅｅｎ               Ｗａｓ               Ｍｙ               Ｖａｌｌｅｙ               (Ｂｅｓｔ               Ｐｉｃｔｕｒｅ               Ａｃａｄｅｍｙ               Ａｗａｒｄ,               1941).

Ｆｒａｎｋ               Ｆｏｒｄ               ａｌｓｏ               ａｃｔｅｄ               ｉｎ               ｍａｎｙ               ｏｆ               ｈｉｓ               ｂｒｏｔｈｅｒｓ               ｆｉｌｍｓ,               ｉｎｃｌｕｄｉｎｇ               Ｔｈｅ               Ｉｎｆｏｒｍｅｒ               (Ｂｅｓｔ               Ｐｉｃｔｕｒｅ               ｏｆ               1935)               ａｎｄ               Ｔｈｅ               Ｑｕｉｅｔ               Ｍａｎ               (1952).

Ｈｏｗ               Ｇｒｅｅｎ               Ｗａｓ               Ｍｙ               Ｖａｌｌｅｙ,               Ｔｈｅ               Ｉｎｆｏｒｍｅｒ,               ａｎｄ               Ｔｈｅ               Ｑｕｉｅｔ               Ｍａｎ               ａｌｌ               ｇａｒｎｅｒｅｄ               Ｊｏｈｎ               Ｆｏｒｄ               Ｂｅｓｔ               Ｄｉｒｅｃｔｏｒ               Ｏｓｃａｒｓ.
               Ｔｈｅ               ｐｒｅｍｉｅｒｅ,               ｗｈｉｃｈ               ｗａｓ               ｓｐｏｎｓｏｒｅｄ               ｂｙ               ｔｈｅ               Ｗａｌｌａｃｅ               Ｅ.

Ｍａｓｏｎ               Ｌｉｂｒａｒｙ'ｓ               Ｆｉｌｍ               Ａｒｃｈｉｖｅｓ               &               Ｓｐｅｃｉａｌ               Ｃｏｌｌｅｃｔｉｏｎ               ,               ｗａｓ               ｈｅｌｄ               ａｔ               Ｋｅｅｎｅ               Ｓｔａｔｅ'ｓ               Ｙｏｕｎｇ               Ｓｔｕｄｅｎｔ               Ｃｅｎｔｅｒ               ｏｎ               Ａｐｒｉｌ               20,               2010.

Ｔｈｅ               ｓｈｏｗｉｎｇ               ｈａｄ               ｔｏ               ｂｅ               ｍｏｖｅｄ               ｆｒｏｍ               ａ               ｓｍａｌｌｅｒ               ｖｅｎｕｅ               ｄｕｅ               ｔｏ               ｔｈｅ               ｇｒｅａｔ               ｉｎｔｅｒｅｓｔ               ｉｎ               ｔｈｅ               ｆｉｌｍ.

(Ｔｈｅ               ｃｏｌｌｅｇｅ               ｄｏｅｓ               ｎｏｔ               ｄｉｓｃｒｉｍｉｎａｔｅ               ａｇａｉｎｓｔ               ｏｌｄｅｒ               ｓｔｕｄｅｎｔｓ.

Ｌｌｏｙｄ               Ｐ.

Ｙｏｕｎｇ               ｗａｓ               ｐｒｅｓｉｄｅｎｔ               ｏｆ               Ｋｅｅｎｅ               Ｓｔａｔｅ               ｆｒｏｍ               1939-1964.)
               "Ｂｒｏｔｈｅｒ               Ｆｅｅｎｅｙ"
               Ｆｒａｎｃｉｓ               Ｆｏｒｄ,               ｗｈｏ               ｗａｓ               ｂｏｒｎ               Ｆｒａｎｃｉｓ               Ｆｅｅｎｅｙ               ｉｎ               Ｐｏｒｔｌａｎｄ,               Ｍａｉｎｅ               ｉｎ               1881,               ｗａｓ               ｏｎｅ               ｏｆ               ｔｈｅ               ｐｉｏｎｅｅｒｓ               ｏｆ               ｍｏｖｉｅ-ｍａｋｉｎｇ               ｉｎ               Ｃａｌｉｆｏｒｎｉａ.

Ｈｅ               ｍｅｎｔｏｒｅｄ               ｈｉｓ               ｙｏｕｎｇｅｒ               ｂｒｏｔｈｅｒ               Ｊｏｈｎ,               ｗｈｏ               ｊｏｉｎｅｄ               ｈｉｍ               ｉｎ               ｔｈｅ               Ｇｏｌｄｅｎ               Ｓｔａｔｅ               ｉｎ               1914.

Ｔｈｅ               ｙｏｕｎｇｅｒ               Ｆｏｒｄ               ｗｅｎｔ               ｏｎ               ｔｏ               ｗｉｎ               ａ               ｒｅｃｏｒｄ               ｆｏｕｒ               Ｂｅｓｔ               Ｄｉｒｅｃｔｏｒ               Ａｃａｄｅｍｙ               Ａｗａｒｄｓ               ａｓ               ｗｅｌｌ               ａｓ               Ｏｓｃａｒｓ               ｆｏｒ               ｔｗｏ               ｄｏｃｕｍｅｎｔａｒｉｅｓ               ｈｅ               ｍａｄｅ               ｆｏｒ               ｔｈｅ               Ｕ.Ｓ.

Ｎａｖｙ               ｄｕｒｉｎｇ               Ｗｏｒｌｄ               Ｗａｒ               ＩＩ.
               Ｗｉｄｅｌｙ               ｃｏｎｓｉｄｅｒｅｄ               Ａｍｅｒｉｃａ'ｓ               ｇｒｅａｔｅｓｔ               ｍｏｖｉｅ               ｄｉｒｅｃｔｏｒ,               Ｊｏｈｎ               Ｆｏｒｄ               ｃｒｅｄｉｔｅｄ               ｈｉｓ               ｂｒｏｔｈｅｒ               Ｆｒａｎｋ               ｗｉｔｈ               ｔｅａｃｈｉｎｇ               ｈｉｍ               ｅｖｅｒｙｔｈｉｎｇ               ｈｅ               ｋｎｅｗ.

Ｈｅ               ｔｏｌｄ               Ｐｅｔｅｒ               Ｂｏｇｄａｎｏｖｉｃｈ               ｔｈａｔ               Ｆｒａｎｃｉｓ               Ｆｏｒｄ               ｈａｄ               ｂｅｅｎ               ｈｉｓ               "ｏｎｌｙ"               ｉｎｆｌｕｅｎｃｅ,               ａｎｄ               Ｗｈｅｎ               Ｌｉｎｃｏｌｎ               Ｐａｉｄ               ｉｓ               ｔｅｓｔａｍｅｎｔ               ｔｏ               ｔｈｅ               ｙｏｕｎｇｅｒ               Ｆｏｒｄ'ｓ               ａｓｓｅｒｔｉｏｎ.
               Ｔａｇ               Ｇａｌｌａｇｈｅｒ               ｉｎ               ｈｉｓ               ａｒｔｉｃｌｅ               "Ｂｒｏｔｈｅｒ               Ｆｅｅｎｅｙ               -               Ｆｒａｎｃｉｓ               Ｆｏｒｄ,"               ｗｒｉｔｅｓ               ｔｈａｔ               ｉｎ               ｔｈｅ               ｐｅｒｉｏｄ               1913-16,               ｔｈｅ               ｅｌｄｅｒ               Ｆｏｒｄ               "ｐｒｏｄｕｃｅｄ"               80               ｆｉｌｍｓ               ｆｏｒ               Ｕｎｉｖｅｒｓａｌ               Ｆｉｌｍ               Ｍａｎｕｆａｃｔｕｒｉｎｇ               (ｃｕｒｒｅｎｔｌｙ               Ｕｎｉｖｅｒｓａｌ               Ｐｉｃｔｕｒｅｓ).

Ｉｎ               ｔｈｅ               ｙｅａｒ               1913,               Ｗｈｅｎ               Ｌｉｎｃｏｌｎ               Ｐａｉｄ               ｗａｓ               ｒｅｌｅａｓｅｄ               ｏｎ               Ｊａｎｕａｒｙ               31ｓｔ               ｗｈｉｌｅ               Ｆｒｏｍ               Ｒａｉｌ-Ｓｐｌｉｔｔｅｒ               ｔｏ               Ｐｒｅｓｉｄｅｎｔ               ｗａｓ               ｒｅｌｅａｓｅｄ               ｏｎ               Ｄｅｃｅｍｂｅｒ               16ｔｈ,               ｗｉｔｈ               Ｆｒａｎｃｉｓ               Ｆｏｒｄ               ｏｎｃｅ               ａｇａｉｎ               ｐｌａｙｉｎｇ               Ａｂｅ               Ｌｉｎｃｏｌｎ.

Ａｃｃｏｒｄｉｎｇ               ｔｏ               Ｇａｌｌａｇｈｅｒ,               Ｌｉｎｃｏｌｎ               ｗａｓ               ｈｉｓ               ｆａｖｏｒｉｔｅ               ｐａｒｔ.
               Ｇａｌｌａｇｈｅｒ               ｑｕｏｔｅｄ               Ｆｒａｎｃｉｓ               Ｆｏｒｄ               ｆｒｏｍ               Ｕｎｉｖｅｒｓａｌ               Ｗｅｅｋｌｙ,               ｔｈｅ               ｓｔｕｄｉｏ'ｓ               ｉｎ-ｈｏｕｓｅ               ｍａｇａｚｉｎｅ.


               "Ｔｈｅｒｅ               ｉｓ               ｎｏｔｈｉｎｇ               Ｉ               ｌｉｋｅ               ｂｅｔｔｅｒ               ｔｈａｎ               ｔｏ               ｐｌａｙ               Ｌｉｎｃｏｌｎ.

Ｉ               ｈａｖｅ               ａ               ｂｉｇ               ｌｉｂｒａｒｙ               ｄｅｖｏｔｅｄ               ｔｏ               ｔｈｉｓ               ｇｒｅａｔ               ｍａｎ,               ａｎｄ               Ｉ               ｈａｖｅ               ｓｔｕｄｉｅｄ               ｅｖｅｒｙ               ｐｈａｓｅ               ｏｆ               ｈｉｓ               ｒｅｍａｒｋａｂｌｅ               ｃｈａｒａｃｔｅｒ               ａｎｄ               ｗｈｅｎ               Ｉ               ａｍ               ａｃｔｉｎｇ               ｔｈｅ               ｐａｒｔ,               Ｉ               ｃａｎ               ｆｅｅｌ               ｔｈｅ               ｍａｎ               ａｓ               Ｉ               ｊｕｄｇｅ               ｈｉｍ."
               Ａｔ               ｔｈｅ               ｔｉｍｅ               ｏｆ               ｔｈｅ               Ｆｏｒｄ               ｉｎｔｅｒｖｉｅｗ,               ｈｅ               ｈａｄ               ａｌｒｅａｄｙ               ｐｌａｙｅｄ               Ｌｉｎｃｏｌｎ               ｉｎ               "ｓｉｘ               ｏｒ               ｓｅｖｅｎ               ｐｈｏｔｏｐｌａｙｓ."
               "Ｗｈｅｎ               Ｌｉｎｃｏｌｎ               Ｐａｉｄ"               
               
               Ｔｈｅ               ｍｏｖｉｅ               ｗａｓ               ｍａｄｅ               ｂｙ               Ｋａｙ-Ｂｅｅ               (ａ               Ｕｎｉｖｅｒｓａｌ               ｓｕｂｓｉｄｉａｒｙ               ａｌｓｏ               ｋｎｏｗｎ               ａｓ               Ｂｉｓｏｎ),               ａｎｄ               ｄｉｓｔｒｉｂｕｔｅｄ               ｂｙ               Ｍｕｔｕａｌ               Ｆｉｌｍ               Ｃｏｒｐ.

ｉｎ               ｔｈｅ               Ｕ.Ｓ.

&               Ｃａｎａｄａ.

Ａｎ               ａｄｖｅｒｔｉｓｅｍｅｎｔ               ｆｒｏｍ               ｔｈｅ               Ｎ.Ｙ.

Ｍｏｔｉｏｎ               Ｐｉｃｔｕｒｅ               Ｃｏ.,               ａ               ｍｏｖｉｅ               ｐｒｏｄｕｃｔｉｏｎ               ｃｏｍｐａｎｙ               ｔｈａｔ               ａｌｓｏ               ｈａｎｄｌｅｄ               ｄｉｓｔｒｉｂｕｔｉｏｎ               ｔｏ               ｅｘｈｉｂｉｔｏｒｓ,               ｄｅｓｃｒｉｂｅｓ               ｔｈｅ               ｆｉｌｍ               ｔｈｕｓｌｙ:
               "Ａ               ｇｒｅａｔ               ｗａｒ               ｄｒａｍａ,               ｗｉｔｈ               ｓｔｉｒｒｉｎｇ               ｓｃｅｎｅｓ               ｏｆ               ｂａｔｔｌｅ,               ｓｈｏｗｉｎｇ               ｈｏｗ               Ｌｉｎｃｏｌｎ               ｒｅｐａｉｄ               ａ               ｄｅｂｔ               ｉｎｃｕｒｒｅｄ               ｉｎ               ｈｉｓ               ｙｏｕｔｈ               ｂｙ               ｅｘｅｒｃｉｓｉｎｇ               ｈｉｓ               ｐｏｗｅｒ               ａｓ               ｐｒｅｓｉｄｅｎｔ               ｉｎ               ｅｘｔｅｎｄｉｎｇ               ｃｌｅｍｅｎｃｙ               ｔｏ               ａ               ｍａｎ               ａｂｏｕｔ               ｔｏ               ｂｅ               ｓｈｏｔ               ａｓ               ａ               ｓｐｙ.

Ｗｏｎｄｅｒｆｕｌ               ｄｒａｍａｔｉｃ               ｗｏｒｋ               ｓｈｏｗｉｎｇ               ｔｈｅ               ｃｏｎｆｌｉｃｔ               ｏｆ               ｅｍｏｔｉｏｎｓ               ｏｆ               ａ               ｍｏｔｈｅｒ,               ｔｈｉｒｓｔｉｎｇ               ｆｏｒ               ｒｅｖｅｎｇｅ               ｏｎ               ｔｈｅ               ｍａｎ               ｗｈｏ               ｓｅｎｔｅｎｃｅｄ               ｈｅｒ               ｂｏｙ               ｔｏ               ｄｅａｔｈ,               ｗｈｏ               ａｌｌｏｗｓ               ｈｅｒ               ｍａｔｅｒｎａｌ               ｉｎｓｔｉｎｃｔ               ｔｏ               ｐｒｅｖａｉｌ               ａｎｄ               ｓａｖｅｓ               ｔｈｅ               ｄｏｏｍｅｄ               ｓｏｎ               ｏｆ               ｔｈｅ               ｍａｎ               ｆｒｏｍ               ａ               ｓｉｍｉｌａｒ               ｆａｔｅ."
               Ｗｈｅｎ               Ｌｉｎｃｏｌｎ               Ｐａｉｄ               ｉｓ               ａ               ｖｅｒｙ               ｗｅｌｌ-ｍａｄｅ               ｆｉｌｍ,               ａｎｄ               ｍｅａｓｕｒｅｓ               ｕｐ               ｔｏ               ｓｕｃｈ               ａｃｋｎｏｗｌｅｄｇｅｄ               ｃｌａｓｓｉｃｓ               ｏｆ               ｔｈｅ               ｅａｒｌｙ               ｓｉｌｅｎｔ               ｃｉｎｅｍａ               ａｓ               Ｄ.Ｗ.

Ｇｒｉｆｆｉｔｈ'ｓ               Ｔｈｅ               Ｎｅｗ               Ｙｏｒｋ               Ｈａｔ               (1912).

Ｔｈｅ               ｐｅｒｆｏｒｍａｎｃｅ               ｏｆ               ｄｉｒｅｃｔｏｒ               Ｆｒａｎｃｉｓ               Ｆｏｒｄ               ａｓ               Ａｂｒａｈａｍ               Ｌｉｎｃｏｌｎ               ｉｓ               ｑｕｉｔｅ               ｓｕｂｔｌｅ               ａｎｄ               ｍｏｄｅｒｎ,               ｂｅｒｅｆｔ               ｏｆ               ｔｈｅ               ｓｅｍａｐｈｏｒｅ-ｌｉｋｅ               ｓｉｇｎａｌｉｎｇ               ｏｆ               ｔｈｅ               ｅｌｏｃｕｔｉｏｎａｒｙ               ａｃｔｉｎｇ               ｓｔｙｌｅ               ｏｆ               ｍａｎｙ               ｅａｒｌｙ               ｓｉｌｅｎｔ               ｆｉｌｍ               ａｃｔｏｒｓ               ｔｈａｔ               ｉｓ               ｉｎｃｒｅｄｉｂｌｙ               ｉｒｒｉｔａｔｉｎｇ               ｔｏ               "ｍｏｄｅｒｎ"               ａｕｄｉｅｎｃｅｓ               (ｔｈｏｓｅ               ｏｆ               ａｔ               ｌｅａｓｔ               ｔｈｅ               ｌａｓｔ               80               ｙｅａｒｓ,               ｓｉｎｃｅ               ｔｈｅ               ａｄｖｅｎｔ               ｏｆ               ｓｏｕｎｄ).
               Ｔｈｅ               ｐｅｒｆｏｒｍａｎｃｅｓ               ｏｆ               ｔｈｅ               ｏｔｈｅｒ               ａｃｔｏｒｓ,               ｗｉｔｈ               ｔｈｅ               ｅｘｃｅｐｔｉｏｎ               ｏｆ               ｔｈｅ               ｍｏｔｈｅｒ               ｗｈｏ               ｉｓ               ｔｈｅ               ｍａｉｎ               ｐｒｏｔａｇｏｎｉｓｔ               ｏｆ               ｔｈｅ               ｆｉｌｍ,               ａｌｓｏ               ａｒｅ               ｒｅｌａｔｉｖｅｌｙ               ｒｅｓｔｒａｉｎｅｄ.

Ｔｈｅ               ａｃｔｒｅｓｓ               ｗｈｏ               ｐｌａｙｅｄ               ｔｈｅ               ｍｏｔｈｅｒ               (ｓｈｅ               ｉｓ               ｎｏｔ               ｉｄｅｎｔｉｆｉｅｄ               ｉｎ               ｃｒｅｄｉｔｓ               ｏｎ               ｔｈｅ               Ｉｎｔｅｒｎｅｔ               Ｍｏｖｉｅ               Ｄａｔａｂａｓｅ               ｏｒ               ｏｎ               Ｗｉｋｉｐｅｄｉａ)               ｄｏｅｓ               ｅｎｇａｇｅ               ｉｎ               ｓｃｅｎｅｒｙ               ｃｈｅｗｉｎｇ,               ｏｆ               ｔｈｅ               ｈａｎｄ-ｗｒｉｎｇｉｎｇ,               ｔｅｅｔｈ-ｇｎａｓｈｉｎｇ               ｓｔｙｌｅ               ｔｈａｔ               ｉｓ               ｓｏ               ｂａｄ               ｉｔ'ｓ               ｆｕｎｎｙ               ｔｏ               ａ               ｍｏｄｅｒｎ               ａｕｄｉｅｎｃｅ.

(Ｐｅｔｅ               Ｓｍｉｔｈ,               ｔｈｅ               Ｏｓｃａｒ-ｗｉｎｎｉｎｇ               ｈｅａｄ               ｏｆ               Ｍ-Ｇ-Ｍ'ｓ               "ｓｈｏｒｔｓ"               ｄｅｐａｒｔｍｅｎｔ,               ｕｓｅｄ               ｔｏ               ｌａｍｐｏｏｎ               ｔｈｅ               ｏｖｅｒ-ｔｈｅ-ｔｏｐ               ｈｉｓｔｒｉｏｎｉｃｓ               ｏｆ               ｆｉｌｍｓ               ｏｆ               ｔｈｅ               Ｗｈｅｎ               Ｌｉｎｃｏｌｎ               Ｐａｙｓ               ｅｒａ               ｂｙ               ｐｒｏｖｉｄｉｎｇ               ｓａｒｃａｓｔｉｃ               ｎａｒｒａｔｉｏｎ               ｔｏ               ｏｌｄ               ｔｉｍｅ               ｐｏｔｂｏｉｌｅｒｓ.)               Ｙｅｔ,               ｈｅｒ               ｐｅｒｆｏｒｍａｎｃｅ               ｉｓ               ｎｏｔ               ａｓ               ｇｒｏｔｅｓｑｕｅ               ａｓ               ｏｔｈｅｒ               ｅａｒｌｙ               ｓｉｌｅｎｔ               ｅｒａ               ｐｅｒｆｏｒｍａｎｃｅｓ,               ｗｈｉｃｈ               ｗｅｒｅ               ｒｏｏｔｅｄ               ｉｎ               ｐａｎｔｏｍｉｍｅ.
               Ｏｎｅ               ｔｈｉｎｇ               ｔｈａｔ               ｓｔｒｕｃｋ               ｍｅ               ｗａｓ               ｔｈｅ               ｌａｃｋ               ｏｆ               ｔｉｔｌｅｓ               ｆｏｒ               ｄｉａｌｏｇ,               ｗｈｉｃｈ               ｂｅｃａｍｅ               ｓｏ               ｃｏｍｍｏｎ               ｉｎ               ｔｈｅ               1920ｓ,               ｗｈｅｎ               "ｉｎｔｅｒ-ｔｉｔｌｅｓ"               ｃｏｕｌｄ               ｔａｋｅ               ｕｐ               ａｎ               ｅｘｔｒａｏｒｄｉｎａｒｙ               ａｍｏｕｎｔ               ｏｆ               ｔｈｅ               ｒｕｎｎｉｎｇ               ｔｉｍｅ               ｏｆ               ａ               ｆｉｌｍ,               ａｓ               ｔｈｅｙ               ｔｙｐｉｃａｌｌｙ               ｗｅｒｅ               "ｈｅｌｄ"               ｌｏｎｇ               ｅｎｏｕｇｈ               ｆｏｒ               ｔｈｅ               ｓｌｏｗｅｓｔ               ｒｅａｄｅｒｓ               ｔｏ               ｐｅｒｕｓｅ.

(Ｆｒｏｍ               ｍｙ               ｅｘｐｅｒｉｅｎｃｅ               ｗａｔｃｈｉｎｇ               ｇｏｏｄ               ｐｒｉｎｔｓ               ｏｆ               ｓｉｌｅｎｔ               ｆｉｌｍｓ               ｐｒｏｐｅｒｌｙ               ｐｒｏｊｅｃｔｅｄ               ｏｎ               ａ               ｒｅｇｕｌａｒ-ｓｉｚｅｄ               ｓｉｌｖｅｒ               ｓｃｒｅｅｎ               ｉｎ               ａ               ｃｌａｓｓｉｃ               ｍｏｖｉｅ               ｔｈｅａｔｅｒ,               ａ               ｆａｓｔ               ｒｅａｄｅｒ               ｃｏｕｌｄ               ｒｅａｄ               ａｎ               ｉｎｔｅｒ-ｔｉｔｌｅ               ｕｐ               ｔｏ               ｔｈｒｅｅ               ｔｉｍｅｓ               ｗｈｉｌｅ               ｉｔ               ｌｉｎｇｅｒｅｄ               ｏｎ               ｓｃｒｅｅｎ.)               Ｗｈｅｎ               ｔｈｅ               ｗｉｄｏｗ               ｇｏｅｓ               ｔｏ               Ｌｉｎｃｏｌｎ               ａｔ               ｔｈｅ               ｃｌｉｍａｘ               ｏｆ               ｔｈｅ               ｍｏｔｉｏｎ               ｐｉｃｔｕｒｅ               ａｎｄ               ｔｈｅｙ               ｔａｌｋ               ｔｏ               ｅａｃｈ               ｏｔｈｅｒ,               ｔｈｅｒｅ               ａｒｅ               ｖｅｒｙ               ｆｅｗ               ｔｉｔｌｅｓ,               ａｎｄ               ａｂｓｏｌｕｔｅｌｙ               ｎｏｎｅ               ｇｉｖｉｎｇ               ｕｓ               ｔｈｅｉｒ               ｄｉａｌｏｇｕｅ               ｗｈｅｎ               ｓｈｅ               ｉｓ               ｂｅｇｇｉｎｇ               ｈｉｍ               ｆｏｒ               ｔｈｅ               ｌｉｆｅ               ｏｆ               ａ               ｃｏｎｄｅｍｎｅｄ               ｒｅｂｅｌ               ｓｏｌｄｉｅｒ.

Ｗｅ               ｋｎｏｗ               ｗｈａｔ               ｉｓ               ｂｅｉｎｇ               ｓａｉｄ,               ｗｉｔｈｏｕｔ               "ｈｅａｒｉｎｇ"               ｉｔ,               ｏｒ               ｒｅａｄｉｎｇ               ｉｔ.
               Ｉｎ               ａ               ｌａｔｅ               ｓｉｌｅｎｔ               ｌｉｋｅ               Ｍａｎ,               Ｗｏｍａｎ               &               Ｓｉｎ               (1927),               ｆｅａｔｕｒｉｎｇ               ｓｉｌｅｎｔ               ｍｏｖｉｅ               ｓｕｐｅｒｓｔａｒ               Ｊｏｈｎ               Ｇｉｌｂｅｒｔ               ａｎｄ               Ｊｅａｎｎｅ               Ｅａｇｅｌｓ,               ｏｎｅ               ｏｆ               ｔｈｅ               ｌｅｇｅｎｄｓ               ｏｆ               ｔｈｅ               Ｂｒｏａｄｗａｙ               ｓｔａｇｅ,               ｔｈｅ               ｍｉｓｅ               ｅｎ               ｓｃｅｎｅ               ｏｆ               ｔｈａｔ               ｅｒａ               ｗａｓ               ｓｏｍｅｔｈｉｎｇ               ａｋｉｎ               ｔｏ               1/3               ｔｏ               40%               ｔｉｔｌｅｓ.

Ｗｅ'ｄ               ｓｅｅ               Ｇｉｌｂｅｒｔ               ｏｒ               Ｅａｇｅｌｓ               ｂｅｇｉｎ               ｔｏ               "ｓｐｅａｋ"               ａｎｄ               ｔｈｅｒｅ               ｗｏｕｌｄ               ｂｅ               ａ               ｃｕｔ-ａｗａｙ               ｔｏ               ａ               ｔｉｔｌｅ               ａｆｔｅｒ               ｔｈｅ               ｆｉｒｓｔ               ｆｅｗ               "ｗｏｒｄｓ."
               "Ｗｅ               ｈａｄ               ｆａｃｅｓ               ｔｈｅｎ,"               ｓａｉｄ               ｔｈｅ               ｄｅｍｅｎｔｅｄ               ｓｉｌｅｎｔ               ｓｃｒｅｅｎ               ｑｕｅｅｎ               Ｎｏｒｍａ               Ｄｅｓｍｏｎｄ               ｐｌａｙｅｄ               ｂｙ               Ｇｌｏｒｉａ               Ｓｗａｎｓｏｎ               ｉｎ               Ｂｉｌｌｙ               Ｗｉｌｄｅｒ'ｓ               Ｓｕｎｓｅｔ               Ｂｌｖｄ.,               ｇｒｅａｔｅｓｔ               ｏｆ               ａｌｌ               "Ｈｏｌｌｙｗｏｏｄ               ｆｉｌｍｓ."               Ｔｈｅ               ｐｒｏｂｌｅｍ               ｗｉｔｈ               ｔｈｅ               ｕｓｅ               ｏｆ               ｔｉｔｌｅ               ｃａｒｄｓ               ｉｎ               ｔｈｅ               ｌａｔｅ               ｓｉｌｅｎｔｓ               ｉｓ               ｔｈａｔ               ｗｈｅｎ               ｗｅ               ｗａｎｔ               ｔｏ               ｂｅ               ｌｏｏｋｉｎｇ               ａｔ               ｔｈｅ               ｅｘｑｕｉｓｉｔｅ               ｆａｃｅ               ｏｆ               Ｊｅａｎｎｅ               Ｅａｇｅｌｓ               (ａ               ｆａｃｅ               ａｓ               ｅｖｏｃａｔｉｖｅ               ａｓ               Ｊｅａｎ               Ｈａｒｌｏｗ               ｏｒ               Ｍａｒｉｌｙｎ               Ｍｏｎｒｏｅ)               ａｎｄ               ｗａｔｃｈ               ｈｅｒ               ｆａｃｉａｌ               ｅｘｐｒｅｓｓｉｏｎｓ               ｗｈｉｌｅ               ｓｈｅ               ｉｓ               "ｓｐｅａｋｉｎｇ,"               ｗｅ               ｈａｖｅ               ａ               ｂｌａｃｋ               "ｔｉｔｌｅ               ｃａｒｄ"               ｔａｋｉｎｇ               ｕｐ               ｔｈｅ               ｓｃｒｅｅｎ               ｔａｋｉｎｇ               ｕｐ               ｍｕｃｈ               ｏｆ               ｔｈｅ               ｔｉｍｅ               ｗｈｅｎ               ｈｅｒ               ｃｈａｒａｃｔｅｒ               ｉｓ               ｓｐｅａｋｉｎｇ.
               Ｓｗａｎｓｏｎ               ｓａｉｄ               ａｂｏｕｔ               ａｃｔｉｎｇ               ｉｎ               ｔｈｅ               ｓｉｌｅｎｔｓ,               ｔｈａｔ               ａｎ               ａｃｔｏｒ               ｈａｄ               ｔｏ               ｐｕｔ               ｅｖｅｒｙｔｈｉｎｇ               ｉｎ               ｔｈｅ               ｆｉｒｓｔ               ｓｅｃｏｎｄｓ               ｏｆ               ｔｈｅｉｒ               ｔａｋｅ               ａｓ               ｔｈｅｒｅ               ｗｏｕｌｄ               ｂｅ               ａ               ｃｕｔｔｉｎｇ               ａｗａｙ               ｔｏ               ｔｈｅ               ｔｉｔｌｅ               ｃａｒｄ.

Ｉｔ               ｗａｓ               ａ               ｈｉｇｈｌｙ               ａｒｔｉｆｉｃｉａｌ               ｔｙｐｅ               ｏｆ               ａｃｔｉｎｇ               ｎｅｃｅｓｓａｒｙ               ｔｏ               ｃｒｅａｔｅ               "ｒｅａｌｉｓｔｉｃ"               ａｎｄ               ｎａｔｕｒａｌ               ｒｅｓｕｌｔｓ.
               Ｓｏｍｅ               ｌａｔｅ               ｓｉｌｅｎｔ               ｆｉｌｍｓ,               ｌｉｋｅ               Ｆ.Ｗ.

Ｍｕｒｎａｕ'ｓ               Ｔｈｅ               Ｌａｓｔ               Ｌａｕｇｈ               (1924)               ｐｒａｃｔｉｃａｌｌｙ               ｄｉｓｐｅｎｓｅｄ               ｗｉｔｈ               ｉｎｔｅｒ-ｔｉｔｌｅｓ               ａｌｔｏｇｅｔｈｅｒ.

Ｗｈｅｎ               Ｌｉｎｃｏｌｎ               Ｐａｉｄ               ｉｓ               ａ               ｂｅｔｔｅｒ               ｆｉｌｍ               ｆｏｒ               ｈａｖｉｎｇ               ｆｅｗｅｒ               ｔｉｔｌｅ               ｃａｒｄｓ.

Ｈｏｗｅｖｅｒ,               ｔｈｅ               ａｃｔｉｎｇ               ｓｔｙｌｅ               ｏｆ               ｔｈｅ               ｔｉｍｅ               ｗａｓ               ｑｕｉｔｅ               ｄｉｆｆｅｒｅｎｔ               ｔｈａｎ               ｔｈａｔ               ｏｆ               ｔｈｅ               ｌａｔｅｒ               ｓｉｌｅｎｔｓ,               ｔｈｏｕｇｈ               Ｆｒａｎｃｉｓ               Ｆｏｒｄ               ａｓ               ｄｉｒｅｃｔｏｒ               ｉｓ               ｔｏ               ｂｅ               ｃｏｍｍｅｎｄｅｄ               ｆｏｒ               ｔｈｅ               ｒｅｓｔｒａｉｎｔ               ｉｎ               ｔｈｅ               ｐｅｒｆｏｒｍａｎｃｅｓ.
               Ｈｉｓｔｏｒｉｃａｌ               Ｖａｌｕｅ               ｏｆ               ａ               "Ｌｏｓｔ               Ｆｉｌｍ"               Ｒｅｃｏｖｅｒｅｄ
               Ｆｒａｎｃｉｓ               Ｆｏｒｄ'ｓ               Ｗｈｅｎ               Ｌｉｎｃｏｌｎ               Ｐａｉｄ               ａｌｓｏ               ｗａｓ               ｃｏｎｓｉｄｅｒｅｄ               ａ               ｌｏｓｔ               ｆｉｌｍ,               ｕｎｔｉｌ               2006,               ｗｈｅｎ               ａ               ｐｒｉｎｔ               ｗａｓ               ｄｉｓｃｏｖｅｒｅｄ               ｉｎ               ａ               Ｎｅｗ               Ｈａｍｐｓｈｉｒｅ               ｂａｒｎ               ｓｌａｔｅｄ               ｆｏｒ               ｄｅｍｏｌｉｔｉｏｎ               .

Ｔｈｅ               ｒｅｓｔｏｒａｔｉｏｎ               ｏｆ               ｔｈｅ               ｆｉｌｍ               ｂｙ               ｍｅｍｂｅｒｓ               ｏｆ               Ｋｅｅｎ               Ｓｔａｔｅ               Ｃｏｌｌｅｇｅ'ｓ               ｆｉｌｍ               ｓｔｕｄｉｅｓ               ｄｅｐａｒｔｍｅｎｔ               ｂｅｇａｎ               ｉｎ               2008.
               Ｉｎ               ｈｉｓ               ｂｒｉｅｆ               ｌｅｃｔｕｒｅ               ａｃｃｏｍｐａｎｙｉｎｇ               ｔｈｅ               ｓｈｏｗｉｎｇ               ｏｆ               ｔｈｅ               ｒｅｓｔｏｒｅｄ               ｆｉｌｍ,               Ｐｒｏｆｅｓｓｏｒ               Ｌａｗｒｅｎｃｅ               Ｂｅｎａｑｕｉｓｔ,               ｔｈｅ               ｈｅａｄ               ｏｆ               Ｋｅｅｎｅ               Ｓｔａｔｅ               Ｃｏｌｌｅｇｅ'ｓ               Ｃｉｎｅｍａ               Ｓｔｕｄｉｅｓ,               ｅｘｐｌａｉｎｅｄ               ｗｈｙ               ｔｈｅ               ｄｉｓｃｏｖｅｒｙ               ｏｆ               ａ               ｐｒｉｎｔ               ｏｆ               Ｗｈｅｎ               Ｌｉｎｃｏｌｎ               Ｐａｉｄ               ｗａｓ               ｓｕｃｈ               ａ               ｍａｊｏｒ               ｅｖｅｎｔ.

(Ｃｉｎｅａｓｔｅｓ               ｆｒｏｍ               ａｓ               ｆａｒ               ａｗａｙ               ａｓ               Ｔａｉｗａｎ               ｉｎ               ｔｈｅ               ａｕｄｉｅｎｃｅ.)               Ｂｅｎａｑｕｓｉｓｔ               ｓａｉｄ               ｔｈａｔ               90%               ｏｆ               ｓｉｌｅｎｔ               ｆｉｌｍｓ               ｈａｖｅ               ｂｅｅｎ               ｌｏｓｔ.

Ｔｏ               ｆｉｎｄ               ａ               ｆｉｌｍ               ｂｙ               ｔｈｅ               ｍａｎ               ｗｈｏ               ｉｎｆｌｕｅｎｃｅｄ               ｔｈｅ               ｇｒｅａｔｅｓｔ               Ａｍｅｒｉｃａｎ               ｄｉｒｅｃｔｏｒ               ｗａｓ               ａ               ｓｉｇｎｉｆｉｃａｎｔ               ｅｖｅｎｔ.
               Ｂｅｎａｑｕｉｓｔ               ｅｘｐｌａｉｎｅｄ               ｔｈａｔ               ｔｈｅｒｅ               ａｒｅ               ｃｏｍｍｏｎ               ｍｏｔｉｆｓ               ｒｕｎｎｉｎｇ               ｔｈｒｏｕｇｈ               ｔｈｉｓ               ｆｉｌｍ               ａｎｄ               Ｊｏｈｎ               Ｆｏｒｄ               ｆｉｌｍｓ,               ｓｕｃｈ               ａｓ               ｈｉｓ               ｆａｍｏｕｓ               Ｃａｖａｌｒｙ               ｃｙｃｌｅ               ｏｆ               ｔｈｅ               ｌａｔｅ               1940ｓ,               ｓｕｃｈ               ａｓ               ａ               ｆｏｃｕｓ               ｏｎ               ｒｉｔｕａｌ.

Ｗｈｅｎ               Ｌｉｎｃｏｌｎ               Ｐａｉｄ               ｆｅａｔｕｒｅｓ               ａ               ｂａｔｔｌｅ               ｓｃｅｎｅ,               ａｎｄ               ｔｈｅｒｅ               ａｒｅ               ｓｃｅｎｅｓ               ｆｅａｔｕｒｉｎｇ               ｃａｖａｌｒｙ               ｔｒｏｏｐｓ,               ａ               ｓｔａｎｄａｒｄ               ｏｆ               "Ｊａｃｋ"               Ｆｏｒｄ'ｓ               ｏｕｖｒｅ.
               Ｉ               ｎｏｔｉｃｅｄ               ｔｈａｔ               ｏｎｅ               ｏｆ               ｔｈｅ               ｒｉｔｕａｌｓ               ｏｆ               Ｗｈｅｎ               Ｌｉｎｃｏｌｎ               Ｐａｙｓ               ｓｈａｒｅｓ               ｗｉｔｈ               Ｊｏｈｎ               Ｆｏｒｄ'ｓ               ｆｉｌｍｓ               ｉｓ               ａ               ｐａｒｔｙ               (ｃａｌｌｅｄ               ａ               "ｆａｉｒ"               ｉｎ               ｔｈｉｓ               ｆｉｌｍ),               ｔｈａｔ               ｗａｓ               ｓｉｍｉｌａｒ               ｔｏ               ｔｈｅ               ｆａｍｏｕｓ               ｏｆｆｉｃｅｒ-ｅｎｌｉｓｔｅｄ               ｍｅｎ               &               ｗｉｖｅｓ               ｂａｌｌ               ｓｃｅｎｅ               ｉｎ               Ｆｏｒｔ               Ａｐａｃｈｅ.
               Ｐｒｏｆｅｓｓｏｒ               Ｂｅｎａｑｕｉｓｔ               ｅｘｐｌａｉｎｅｄ               ｔｈａｔ               ｔｈｅ               ｍｏｖｉｅ               ｈａｓ               ｔｈｅ               ｔｈｅｍｅ               ｏｆ               ｄｅｂｔ               ａｎｄ               ｒｅｐａｙｍｅｎｔ,               ｗｈｉｃｈ               Ｊｏｈｎ               Ｆｏｒｄ               ｗｏｕｌｄ               ｒｅｐｅａｔ               ｉｎ               ｈｉｓ               ｏｗｎ               Ｙｏｕｎｇ               Ｍｒ.

Ｌｉｎｃｏｌｎ               (1939),               ａｌｂｅｉｔ               Ｊｏｈｎ'ｓ               Ｌｉｎｃｏｌｎ               ｗａｓ               ｎｏｔ               ｔｈｅ               ｃｏｍｐａｓｓｉｏｎａｔｅ               Ｌｉｎｃｏｌｎ               ｏｆ               Ｆｒａｎｃｉｓ               Ｆｏｒｄ.

(Ｔｈｅ               ｅｌｄｅｒ               Ｆｏｒｄ               ｈａｄ               ａ               ｓｍａｌｌ,               ｕｎｃｒｅｄｉｔｅｄ               ｒｏｌｅ               ｉｎ               ｔｈｅ               ｆｉｌｍ.)
               Ａｎｏｔｈｅｒ               ｔｈｅｍｅ               ｔｈａｔ               Ｉ               ｎｏｔｉｃｅｄ               ｉｎ               Ｗｈｅｎ               Ｌｉｎｃｏｌｎ               Ｐａｙｓ               ｔｈａｔ               ｃｏｕｌｄ               ｂｅ               ｆｏｕｎｄ               ｉｎ               ｓｏｍｅ               ｏｆ               ｔｈｅ               ｙｏｕｎｇｅｒ               Ｆｏｒｄ'ｓ               ｆｉｌｍｓ               ｗａｓ               ｍｏｔｈｅｒ               ｌｏｖｅ.
               Ｔｈｅ               ｖａｌｕｅ               ｏｆ               ｓｕｃｈ               ａ               ｆｉｎｄ               ｉｓ               ｃｕｌｔｕｒａｌ,               ｎｏｔ               ｍｏｎｅｔａｒｙ,               ａｃｃｏｒｄｉｎｇ               ｔｏ               Ｐｒｏｆｅｓｓｏｒ               Ｂｅｎａｑｕｉｓｔ,               ｆｏｒ               ｕｎｌｅｓｓ               ｔｈｅ               ｆｏｕｎｄ               ｆｉｌｍ               ｗａｓ               ｍａｄｅ               ｂｙ               ａ               ｍａｊｏｒ               ｄｉｒｅｃｔｏｒ               ｌｉｋｅ               Ｊｏｓｅｆ               ｖｏｎ               Ｓｔｅｒｎｂｅｒｇ               ｏｒ               ｗａｓ               ｔｈｅ               ｆｏｏｔａｇｅ               ｃｕｔ               ｏｕｔ               ｏｆ               ａ               ｃｌａｓｓｉｃ               ｌｉｋｅ               Ｏｒｓｏｎ               Ｗｅｌｌｅｓ'               Ｔｈｅ               Ｍａｇｎｉｆｉｃｅｎｔ               Ａｍｂｅｒｓｏｎｓ,               ｔｈｅｒｅ               ｉｓ               ｎｏ               ｃｏｍｍｅｒｃｉａｌ               ｖａｌｕｅ.
               Ａｔ               ｔｈｅ               ｔｉｍｅ               ｏｆ               Ｗｈｅｎ               Ｌｉｎｃｏｌｎ               Ｐａｉｄ               ｗａｓ               ｒｅｌｅａｓｅｄ,               ｔｈｅｒｅ               ｗｅｒｅ               ｔｈｒｅｅ               ｔｏ               ｆｉｖｅ               ｍｏｖｉｅ               ｔｈｅａｔｅｒｓ               ｉｎ               Ｋｅｅｎｅ,               Ｎｅｗ               Ｈａｍｐｓｈｉｒｅ               (ｗｈｉｃｈ               ｃｕｒｒｅｎｔｌｙ               ｈａｓ               ａ               ｐｏｐｕｌａｔｉｏｎ               ｏｆ               23,000               ｎｏｗ,               ｂｕｔ               ｏｎｌｙ               10,000               ｉｎ               ｔｈｅ               1910               ｃｅｎｓｕｓ).

Ｔｈｅ               Ｃｉｖｉｌ               Ｗａｒ               ｈａｄ               ｂｅｅｎ               ｏｖｅｒ               ｆｏｒ               ｌｅｓｓ               ｔｈａｎ               ｈａｌｆ-ａ-ｃｅｎｔｕｒｙ,               ａｎｄ               ｕｎｔｉｌ               ｔｈｅ               ｏｕｔｂｒｅａｋ               ｏｆ               Ｗｏｒｌｄ               Ｗａｒ               Ｏｎｅ,               ｔｈｅ               Ｗａｒ               Ｂｅｔｗｅｅｎ               ｔｈｅ               Ｓｔａｔｅｓ               ｗａｓ               ａ               ｍａｊｏｒ               ｓｕｂｊｅｃｔ               ｆｏｒ               ｔｈｅ               ｎｅｗｌｙ               ｂｏｒｎ               ｍｏｖｉｅ               ｉｎｄｕｓｔｒｙ.

(Ｉｎｄｅｅｄ,               ｔｈｅ               ｍｏｓｔ               ｐｏｐｕｌａｒ               ｆｉｌｍ               ｉｎ               ｔｅｒｍｓ               ｏｆ               ｂｏｘ               ｏｆｆｉｃｅ               ｇｒｏｓｓ               ｕｎｔｉｌ               Ｇｏｎｅ               Ｗｉｔｈ               ｔｈｅ               Ｗｉｎｄ,               ａｎｏｔｈｅｒ               Ｃｉｖｉｌ               Ｗａｒ-ｔｈｅｍｅｄ               ｍｏｖｉｅ,               ｗａｓ               ｔｈｅ               Ｃｉｖｉｌ               Ｗａｒ-ｔｈｅｍｅｄ               Ｂｉｒｔｈ               ｏｆ               ａ               Ｎａｔｉｏｎ.)
               Ａｃｃｏｒｄｉｎｇ               ｔｏ               Ｐｒｏｆｅｓｓｏｒ               Ｂｅｎａｑｕｉｓｔ,               ｆｉｌｍｓ               ｌｉｋｅ               Ｗｈｅｎ               Ｌｉｎｃｏｌｎ               Ｐａｙｓ               ｐｒｏｖｉｄｅ               ａ               ｍｉｒｒｏｒ               ｏｎ               ｔｈｅ               ｃｏｎｓｃｉｏｕｓｎｅｓｓ               ｏｆ               ｔｈｅ               ｔｉｍｅｓ               ｉｎ               ｗｈｉｃｈ               ｔｈｅｙ               ｗｅｒｅ               ｍａｄｅ.

Ｂｅｆｏｒｅ               ＴＶ               ａｎｄ               ｔｈｅ               ｒａｄｉｏ,               ｔｈｅ               ｍｏｖｉｅｓ               ｗｅｒｅ               -               ａｌｏｎｇ               ｗｉｔｈ               ｎｅｗｓｐａｐｅｒｓ               ａｎｄ               ｍａｇａｚｉｎｅｓ               -               ｔｈｅ               ｍａｊｏｒ               ｃｈａｎｎｅｌ               ｂｙ               ｗｈｉｃｈ               ｃｕｌｔｕｒａｌ               ｗａｓ               ｔｒａｎｓｍｉｔｔｅｄ               ｔｏ               ａ               ｍａｓｓ               ａｕｄｉｅｎｃｅ.

Ｆｕｒｔｈｅｒｍｏｒｅ,               ｔｈｅ               ｆｉｌｍｓ               ａｒｅ               ｓｉｇｎｉｆｉｃａｎｔ               ｉｎ               ｔｈａｔ               ｔｈｅｙ               ｊｕｓｔ               ｄｉｄｎ'ｔ               ｒｅｃｒｅａｔｅ               ｈｉｓｔｏｒｙ,               ｂｕｔ               ｉｎ               ｆａｃｔ,               ｃｒｅａｔｅｄ               ｉｔ.

Ｆｏｒ               ｂｅｔｔｅｒ               ｏｒ               ｗｏｒｓｅ,               ｔｈｅ               ｍｏｖｉｅｓ               ｔｒａｎｓｍｉｔｔｅｄ               ｏｕｒ               ｎａｔｉｏｎａｌ               ｎａｒｒａｔｉｖｅｓ.
               [Ｔｏ               ｕｎｄｅｒｓｔａｎｄ               ｗｈａｔ               Ｗｈｅｎ               Ｌｉｎｃｏｌｎ               Ｐａｙｓ               ｍｅａｎｔ               ｔｏ               ａ               ｃｏｎｔｅｍｐｏｒａｒｙ               ａｕｄｉｅｎｃｅ,               ｏｎｅ               ｃａｎ               ｔｈｉｎｋ               ｏｆ               ｗｈａｔ               Ｗｏｒｌｄ               Ｗａｒ               Ｔｗｏ               ｍｅａｎｓ               ｔｏ               ｔｈｅ               Ｈｉｓｔｏｒｙ               Ｃｈａｎｎｅｌ,               ｔｈｅｎ               ｍｕｌｔｉｐｌｙ               ｔｈｅ               ｅｆｆｅｃｔ               ａｓ               ｔｈｅ               ｍｏｖｉｅｓ               ｉｎ               1913               ｗｅｒｅ               ｍｏｒｅ               ｐｏｗｅｒｆｕｌ               ｔｈａｎ               ａ               ｓｉｎｇｌｅ               ｃａｂｌｅ               ＴＶ               ｃｈａｎｎｅｌ,               ｗｉｔｈ               ａｐｏｌｏｇｉｅｓ               ｔｏ               Ｆｏｘ               Ｎｅｗｓ.

Ｉｎ               ｔｈｅ               1940ｓ,               '50ｓ               &               '60ｓ,               Ｗｏｒｌｄ               Ｗａｒ               ＩＩ               ｃｏｎｔｉｎｕｅｄ               ｔｏ               ｂｅ               ａ               ｍａｊｏｒ               ｓｕｂｊｅｃｔ               ｎｏｔ               ｏｎｌｙ               ｏｎ               ｆｉｌｍｓ,               ｂｕｔ               ｏｎ               ＴＶ               ａｌｓｏ.

Ｔｈｅｎ               ｒｅａｌｉｚｅ               ｔｈａｔ               ｉｎ               Ｊａｎｕａｒｙ               1913,               ｔｈｅ               Ｃｉｖｉｌ               Ｗａｒ               ｈａｄ               ｂｅｅｎ               ｏｖｅｒ               ｆｏｒ               ａｌｍｏｓｔ               48               ｙｅａｒｓ,               ａｓ               ｄｉｓｔａｎｔ               ｔｏ               ｔｈｅ               ｃｏｎｔｅｍｐｏｒａｒｙ               ａｕｄｉｅｎｃｅ               ａｓ               Ｐｒｅｓｉｄｅｎｔ               Ｊｏｈｎ               Ｆ.

Ｋｅｎｎｅｄｙ'ｓ               ａｓｓａｓｓｉｎａｔｉｏｎ               ｉｓ               ｔｏ               ｔｈｅ               ａｕｄｉｅｎｃｅ               ｔｈａｔ               ｗａｔｃｈｅｄ               ｔｈｅ               ｒｅｓｔｏｒｅｄ               ｆｉｌｍ               ｉｎ               2010.]
               Ｔｈｅ               Ｒｅｓｔｏｒａｔｉｏｎ
               Ｔｏｍ               Ｃｏｏｋ,               ｐｒｏｆｅｓｓｏｒ               ｏｆ               ｆｉｌｍ               ｐｒｏｄｕｃｔｉｏｎ               ａｔ               Ｋｅｅｎｅ               Ｓｔａｔｅ               Ｃｏｌｌｅｇｅ,               ａｓｓｅｍｂｌｅｄ               ｔｈｅ               ｒｅｓｔｏｒｅｄ               ｐｒｉｎｔ               ｔｏｇｅｔｈｅｒ               ｆｒｏｍ               ｔｈｅ               ｎｉｔｒａｔｅ               ｎｅｇａｔｉｖｅ               ｓａｌｖａｇｅｄ               ｆｒｏｍ               ｔｈｅ               ｂａｒｎ               ａｎｄ,               ｉｎｃｒｅｄｉｂｌｙ,               ａ               ｖｉｄｅｏｔａｐｅ               ｏｆ               ａ               ｎｏｗ-ｌｏｓｔ               8-ｍｍ               ｐｒｉｎｔ               ｏｆ               ｔｈｅ               ｆｉｌｍ.

Ｈｅ               ｕｓｅｄ               ａ               ｖａｒｉｅｔｙ               ｏｆ               ｓｏｆｔｗａｒｅ               ｉｎｃｌｕｄｉｎｇ               Ａｖｉｄ               Ｍｏｖｉｅ               Ｃｏｍｐｏｓｅｒ.
               Ｔｈｅ               ｄｉｓｃｏｖｅｒｅｄ               ｐｒｉｎｔ               ｗａｓ               ｓｅｎｔ               ｔｏ               Ｅａｓｔｍａｎ               Ｈｏｕｓｅ,               ｔｈｅ               ｖｅｎｅｒａｂｌｅ               ｆｉｌｍ               ａｒｃｈｉｖｅ               ,               ｗｈｉｃｈ               ｗａｓｈｅｄ               ｔｈｅ               ｐｒｉｎｔ,               ｔｈｕｓ               ｅｎａｂｌｉｎｇ               ｉｔ               ｔｏ               ｂｅ               ｔｒａｎｓｆｅｒｒｅｄ               ｔｏ               ｄｉｇｉｔａｌ               ｆｉｌｅｓ.

Ｓｏｍｅ               ｏｆ               ｔｈｅ               ｎｉｔｒａｔｅ               ｐｒｉｎｔ               ｗａｓ               ｓｏ               ｄｅｃａｙｅｄ               ｉｔ               ｃｏｕｌｄｎ'ｔ               ｂｅ               ｓａｌｖａｇｅｄ,               ａｎｄ               ｔｈｅ               ｖｉｄｅｏｔａｐｅ               ｗａｓ               ｕｓｅｄ               ｔｏ               ｓｕｐｐｌｙ               ｕｎｓａｌｖａｇｅａｂｌｅ               ｓｃｅｎｅｓ               ａｎｄ               ｓｃｅｎｅｓ               ｍｉｓｓｉｎｇ               ｆｒｏｍ               ｔｈｅ               ｆｏｕｎｄ               ｐｒｉｎｔ.
               Ｔｈｅ               ｂｅｇｉｎｎｉｎｇ               ｏｆ               ｔｈｅ               ｆｉｌｍ,               ｗｈｉｃｈ               ｌｉｋｅｌｙ               ｃｏｎｔａｉｎｅｄ               ａ               ｖｉｏｌｅｎｔ               ｔｈｕｎｄｅｒｓｔｏｒｍ               ｔｈａｔ               ｔｈｒｅａｔｅｎｓ               ｔｈｅ               ｌｉｆｅ               ｏｆ               ｙｏｕｎｇ               Ａｂｅ               Ｌｉｎｃｏｌｎ,               ｔｈｅ               ｃｉｒｃｕｉｔ-ｒｉｄｉｎｇ               ｌａｗｙｅｒ,               ｉｓ               ｌｏｓｔ.

Ｔｈｅ               ｒｅｓｔｏｒｅｒｓ,               ｄｒａｗｉｎｇ               ｏｎ               ａ               ｓｙｎｏｐｓｉｓ               ｏｆ               ｔｈｅ               ｆｉｌｍ               ｆｒｏｍ               ｔｈｅ               ｏｌｄ               Ｍｏｔｉｏｎ               Ｐｉｃｔｕｒｅ               Ｈｅｒａｌｄ,               ｐｒｏｖｉｄｅｄ               ａ               ｔｉｔｌｅ               ｃａｒｄ               ｔｈａｔ               ｓｅｔｓ               ｔｈｅ               ｓｃｅｎｅ               ｆｏｒ               ｗｈａｔ               ｆｏｌｌｏｗｓ.
               Ｗｈｅｎ               ｏｎｅ               ｃｏｎｓｉｄｅｒｓ               ｔｈｅ               ｑｕａｌｉｔｙ               ｏｆ               ｔｈｅ               ｒｅｓｕｌｔｉｎｇ               ｅｆｆｏｒｔ,               ｉｔ               ｉｓ               ｎｏｔｈｉｎｇ               ｓｈｏｒｔ               ｏｆ               ａｍａｚｉｎｇ.

(Ａ               ｃｏｍｍｅｒｃｉａｌ               ＤＶＤ               ｏｆ               Ｊｏｈｎ               Ｂａｒｒｙｍｏｒｅ'ｓ               1923               Ｔｈｅ               Ｓｅａ               Ｂｅａｓｔ,               ｗｈｉｃｈ               Ｉ               ｒｅｎｔｅｄ               ｖｉａ               Ｎｅｔｆｌｉｘ,               ｉｓ               ｏｆ               ｍｕｃｈ               ｐｏｏｒｅｒ               ｑｕａｌｉｔｙ               ｔｈａｎ               ｗｈａｔ               ｗａｓ               ｏｎ               ｄｉｓｐｌａｙ               ａｔ               Ｋｅｅｎｅ               Ｓｔａｔｅ.)
               Ｐｒｏｆｅｓｓｏｒ               Ｃｏｏｋ               ｓａｉｄ               ｔｈｅ               ｒｅｓｔｏｒａｔｉｏｎ               ｗｉｌｌ               ｃｏｎｔｉｎｕｅ,               ａｎｄ               ｈｅ               ｐｌａｎｓ               ｔｏ               ｃｌｅａｎ               ｕｐ               ｔｈｅ               ｖｉｓｉｂｌｅ               ｎｉｔｒａｔｅ               ｄｅｃａｙ.
               Ｉｎ               ａｄｄｉｔｉｏｎ               ｔｏ               ｔｈｅ               Ｇｅｏｒｇｅ               Ｅａｓｔｍａｎ               Ｈｏｕｓｅ,               ｔｈｅ               ｒｅｓｔｏｒａｔｉｏｎ               ｗａｓ               ｍａｄｅ               ｐｏｓｓｉｂｌｅ               ｂｙ               ｔｈｅ               Ｎａｔｉｏｎａｌ               Ｆｉｌｍ               Ｐｒｅｓｅｒｖａｔｉｏｎ               Ｆｏｕｎｄａｔｉｏｎ               ａｎｄ               ｔｈｅ               Ａｃａｄｅｍｙ               ｏｆ               Ｍｏｔｉｏｎ               Ｐｉｃｔｕｒｅ               Ａｒｔｓ               &               Ｓｃｉｅｎｃｅｓ.

Ｍａｒｋ               Ｒｅｉｎｈａｒｔ,               ｔｈｅ               ａｕｔｈｏｒ               ｏｆ               Ｌｉｎｃｏｌｎ               ｏｎ               Ｓｃｒｅｅｎ               ａｎｄ               Ｊｏｈｎ               Ｆｏｒｄ               ｓｃｈｏｌａｒ               Ｔａｇ               Ｇａｌｌａｇｈｅｒ               ａｌｓｏ               ｈｅｌｐｅｄ               ｐｒｏｖｉｄｅ               ｉｎｆｏｒｍａｔｉｏｎ               ｏｎ               Ｆｒａｎｃｉｓ               Ｆｏｒｄ'ｓ               ｃａｒｅｅｒ               ｔｏ               ｔｈｅ               Ｋｅｅｎｅ               Ｓｔａｔｅ               Ｃｏｌｅｌｇｅ               ｍｅｄｉａ               ｓｔｕｄｉｅｓ               ｄｅｐａｒｔｍｅｎｔ.

Ｔｈｅ               ｐｉａｎｉｓｔ               ａｔ               ｔｈｅ               ｐｒｅｓｅｎｔａｔｉｏｎ               ｗａｓ               Ｊｅｆｆ               Ｒａｐｓｉｓ,               ｗｈｏ               ｐｅｒｆｏｒｍｓ               ａｔ               ｔｈｅ               Ｗｉｌｔｏｎ               Ｔｈｅａｔｒｅ               ａｃｃｏｍｐａｎｙｉｎｇ               ｓｉｌｅｎｔ               ｆｉｌｍｓ.
               Ｓｏｕｒｃｅｓ:
               Ａｓｓｏｃｉａｔｅｄ               Ｐｒｅｓｓ,               "1913               Ａｂｒａｈａｍ               Ｌｉｎｃｏｌｎ               ｆｉｌｍ               ｆｏｕｎｄ               ｉｎ               ＮＨ               ｂａｒｎ               ｃｌｅａｎｕｐ"               (ｉｎｃｌｕｄｅｓ               ｐｉｃｔｕｒｅｓ               ｆｒｏｍ               ｆｉｌｍ               ａｎｄ               ｏｆ               ｔｈｅ               ｏｒｉｇｉｎａｌ               ｃｅｌｌｕｌｏｉｄ               ｐｒｉｎｔ)
               Ｉｎｔｅｒｎｅｔ               Ｍｏｖｉｅ               Ｄａｔａｂａｓｅ,               "Ｆｒａｎｃｉｓ               Ｆｏｒｄ";               "Ｗｈｅｎ               Ｌｉｎｃｏｌｎ               Ｐａｉｄ"
               Ｋｅｅｎｅ               Ｓｅｎｔｉｎｅｌ,               "Ｆｉｌｍｓ               ｆｏｒ               ｔｈｅ               Ａｇｅｓ:               Ｃｏｎｔｒａｃｔｏｒ               ｍａｋｅｓ               ｒａｒｅ               ｆｉｎｄ               ｉｎ               Ｎｅｌｓｏｎ               ｂａｒｎ"
               Ｋｅｅｎｅ               Ｓｔａｔｅ               Ｃｏｌｌｅｇｅ,               "Ｒｅｓｔｏｒｅｄ               Ａｂｒａｈａｍ               Ｌｉｎｃｏｌｎ               Ｆｉｌｍ               ｔｏ               Ｐｒｅｍｉｅｒｅ               ａｔ               Ｋｅｅｎｅ               Ｓｔａｔｅ"






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